Admission Test Section One : Verbal : GRE-Verbal

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Admission Test Section One : Verbal GRE-Verbal Prüfungsfragen mit Lösungen:

1. TARANTULA : SPIDER

A) sheep: grass
B) fly: parasite
C) drone: bee
D) milk: cow
E) mare: stallion

2. The village of Vestmannaeyjar, in the far northern country of Iceland, is as bright and clean and up-to-date
as any American or Canadian suburb. It is located on the island of Heimaey, just off the mainland. One
January night in 1973, however, householders were shocked from their sleep. In some backyards red-hot
liquid was spurting from the ground.
Flaming "skyrockets" shot up and over the houses. The island's volcano, Helgafell, silent for seven
thousand years, was violently erupting! Luckily, the island's fishing fleet was in port, and within twenty-four
hours almost everyone was ferried to the mainland. But then the agony of the island began in earnest. As
in a nightmare, fountains of burning lava spurted three hundred feet high. Black, baseball-size cinders
rained down. An evilsmelling, eye-burning, throat-searing cloud of smoke and gas erupted into the air,
and a river of lava flowed down the mountain. The constant shriek of escaping steam was punctuated by
ear-splitting explosions. As time went on, the once pleasant village of Vestmannaeyjar took on a weird
aspect. Its street lamps still burning against the long Arctic night, the town lay under a thick blanket of
cinders. All that could be seen above the ten-foot black drifts were the tips of street signs. Some houses
had collapsed under the weight of cinders; others had burst into flames as the heat ignited their oil storage
tanks. Lighting the whole lurid scene, fire continued to shoot from the mouth of the looming volcano. The
eruption continued for six months. Scientists and reporters arrived from around the world to observe the
awesome natural event. But the town did not die that easily. In July, when the eruption ceased, the people
of Heimaey Island returned to assess the chances of rebuilding their homes and lives. They found tons of
ash covering the ground. The Icelanders are a tough people, however, accustomed to the strange and
violent nature of their Arctic land. They dug out their homes. They even used the cinders to build new
roads and airport runways. Now the new homes of Heimaey are warmed from water pipes heated by
molten lava.
The island's volcano had been inactive for-

A) seventy years
B) seventy decades
C) seven thousand years
D) seven thousand months
E) seven hundred years

3. Since her older sister's _______ academic record had gained her admission to a highly respected college,
Martha became commensurately _______, hoping to secure admission a top-rated university.

A) impeccable . . studious
B) exemplary . . optimistic
C) perfunctory . . hard-working
D) laudable . . ambitious
E) salutary . . diligent

4. The origin of the attempt to distinguish early from modern music and to establish the canons of
performance practice for each lies in the eighteenth century. In the first half of that century, when
Telemann and Bach ran the collegium musicum in Leipzig, Germany, they performed their own and other
modern music. In the German universities of the early twentieth century, however, the reconstituted
collegium musicum devoted itself to performing music from the centuries before the beginning of the
"standard repertory," by which was understood music from before the time of Bach and Handel. Alongside
this modern collegium musicum, German musicologists developed the historical sub-discipline known as
"performance practice," which included the deciphering of obsolete musical notation and its transcription
into modern notation, the study of obsolete instruments, and the re-establishment of lost oral traditions
associated with those forgotten repertories. The cutoff date for this study was understood to be around
1 750, the year of Bach's death, since the music of Bach, Handel, Telemann and their contemporaries did
call for obsolete instruments and voices and unannotated performing traditions-for instance, the
spontaneous realization of vocal and instrumental melodic ornamentation. Furthermore, with a few
exceptions, late baroque music had ceased to be performed for nearly a century, and the orally
transmitted performing traditions associated with it were forgotten as a result. In contrast, the notation in
the music of Haydn and Mozart from the second half of the eighteenth century was more complete than in
the earlier styles, and the instruments seemed familiar, so no "special" knowledge appeared necessary.
Also, the music of Haydn and Mozart, having never ceased to be performed, had maintained some kind of
oral tradition of performance practice. Beginning around 1960, however, early-music performers began to
encroach upon the music of Haydn, Mozart, and Beethoven. Why? Scholars studying performance
practice had discovered that the living oral traditions associated with the Viennese classics frequently
could not be traced to the eighteenth century and that there were nearly as many performance mysteries
to solve for music after 1750 as for earlier repertories. Furthermore, more and more young singers and
instrumentalists became attracted to early music, and as many of them graduated from student- amateur
to professional status, the technical level of early-music performances took a giant leap forward. As
professional early-music groups, building on these developments, expanded their repertories to include
later music, the mainstream protested vehemently. The differences between the two camps extended
beyond the question of which instruments to use to the more critical matter of style and delivery. At the
heart of their disagreement is whether historical knowledge about performing traditions is a prerequisite
for proper interpretation of music or whether it merely creates an obstacle to inspired musical tradition.
Which of the following statements, if true, would best support the author's explanation for the
encroachment by the early-musicians upon the music of Mozart, Haydn, and Beethoven?

A) The mainstream approved of the manner in which the early-musicians treated the music of Bach and
Handel.
B) The music of these composers is notated more completely than is the music of Bach and Handel.
C) Most instrumentalists are attracted to early music because of the opportunities to play obsolete
instruments.
D) The early-musicians and the mainstream both prefer the same style and delivery of music.
E) Unannotated performing traditions associated with these composers were distinct from those
associated with pre-1750 works.

5. When you want to hang the American flag over the middle of a street, suspend it vertically with the blue
field, called the union, to the north and east-west street. When the flag is displayed with another banner
from crossed staffs, the American flag is on the right. Place the staff of the American flag in front of the
other staff. Raise the flag quickly and lower it slowly and respectfully. When flying the flag at half-mast,
hoist it to the top of the pole for a moment before lowering it to mid-pole. When flying the American flag
with banners from states or cities, raise the nation's banner first and lower it last. Never allow the flag to
touch the ground.
What is the main idea of this passage?

A) American flag should be flown differently in certain situations. ","The flag should be lowered quickly
and respectfully.
B) Placing the American flag inappropriately will draw government intervention.
C) The American flag is the symbol of American freedom.
D) The American flag has fifty stars.

Fragen und Antworten: